Zhuang Music Elements in Modern Orchestra in Guangxi , China

Abstract

This study will discuss the application of music elements of Guangxi Zhuang nationality (hereinafter referred as Guangxi Zhuang or Zhuang ) in Guangxi symphony works. It will discuss the significance and value of the creative characteristics of Guangxi Zhuang element symphony to creative practice. It will describe the characteristics of Zhuang music, sort out the presentation forms of Zhuang music in history with the methods of literature research and field investigation, explore the regional characteristics of Zhuang music, analyze the characteristics of Zhuang music types, and then excavate the characteristics of originality and mutual integration of Zhuang music communication path. It will analyze the creative characteristics of symphonic works by summarizing the musical elements of Zhuang folk songs as the creative motivation and analyze the symphonic works of three typical composers by using the modern composition technology theory of China and the western countries, including the analysis of the musical form structure, harmony, polyphony, orchestration, and related elements, and summarize the composition technical characteristics of their works, and explore the national characteristics and humanistic connotation of symphony works. It will come to the following conclusions: 1 The original characteristic of Zhuang music is inheritance, and mutual integration is development. The thesis explores the mutual integration development of Zhuang music in the form of modern symphonic music and seeks a new path to protect and inherit Zhuang music. The symphony created by using Zhuang music elements is a direction of the integration development of Zhuang music, which is conducive to the inheritance and development of Zhuang music. 2. The creative characteristics of Guangxi Zhuang element symphony works are as follows: first, the usage of the Chinese national mode to create, and usage the far relationship to transfer the same mode, so as to obtain different modes and the sense of sound, color, and color; Second, interval thinking controlling melody development thinking; Thirdly, texture sound cluster writing replacing the traditional musical form structure and breaking the conventional musical form structure thinking; Fourth, with shaping Zhuang music elements as the creative theme, Zhuang music has a distinctive character and three-dimensional image; Fifth, the multiple usages of modern composition techniques, twelve tone sequence and sound block thinking writing. By deeply excavating the creative characteristics and value of Guangxi composer Zhuang element symphony, a theoretical breakthrough in the characteristics of two postmodern works can be obtained.

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