Please use this identifier to cite or link to this item: http://202.28.34.124/dspace/handle123456789/2210
Title: A Study of the Status and Transmission Process of Tibetan Music in Qinghai, China
การศึกษาสถานภาพและกระบวนการถ่ายทอดดนตรีทิเบตในมณฑลชิงไห่ ประเทศจีน
Authors: Weirui Shi
Weirui Shi
Arsenio Nicolas
Arsenio Nicolas
Mahasarakham University
Arsenio Nicolas
Arsenio Nicolas
areenio@msu.ac.th
areenio@msu.ac.th
Keywords: Folk music
Qinghai China
Transmissions
Issue Date:  5
Publisher: Mahasarakham University
Abstract: This research has 3 objectives were 1) To describe The Status of Qinghai Tibetan Folk Music Performance Art Forms and Types, 2) To analyze Qinghai Tibetan folk music performance art and its carrier song and dance correlation analysis. and 3) To propose the guidance for the transmission of Qinghai folk Music to new generation. The sample group comprised scholars, singers, and audiences. The findings revealed the following: The Tibetan music are: 1. Religious music: (1) Chanting is a daily and important religious ceremony in temples. When chanting, all the monks gathered in the hall. In addition to bringing a strong religious atmosphere, the chanting music also embodies the characteristics of traditional Chinese music combining dynamics and statics, contrasting simplicity and complexity, and elegance. Qinghai Tibetan music has the characteristics of melodious tunes, wide range, unique style, and intriguing, making people yearn for freedom. Whenever people hear high-pitched, crisp, bright and pure Tibetan songs, they seem to travel on the Qinghai-Tibet Plateau. This feeling is so beautiful that it cannot be expressed in words. the guidance for the transmission of Qinghai folk Music to new generation.1) Use the family institution, 2) Organizing social activities, 3) Create a folk music curriculum, 4) Organized international music festival and 5) A cultural center has been established
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URI: http://202.28.34.124/dspace/handle123456789/2210
Appears in Collections:College of Music

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