Analysis of Nanying performance art in Quanzhou City, Fujian Province, China

Abstract

The research methods of musicology, ethnomusicology, and historical musicology were studied, and statistical data were collected and analyzed through informants. The purpose of this study is to study the development of Nanyin in Quanzhou, Fujian, China; The second is the analysis of China's Fujian Quanzhou Nanyin performance form.

The research results of this paper are as follows :1) At present, Quanzhou Nanyin in Fujian Province consists of a complete music system composed of "finger", "score" and "qu". The performance forms of Nanyin music can be divided into two categories: "upper four Guan" and "lower four guan". There are 50 sets in total, classified into "Guan men" and "rolling men". 2) The performance forms of Nanyin singing include the singing of the southern pa and the accompaniment of the top four pipes. The traditional performance forms of Nanyin singing include the performance of pure Musical Instruments and the combination of singing and playing. 3) Sishi Jing in Nanyin is rich in artistic expression. Through the combination of its instruments and music, the Sishi Jing is vividly expressed. There are realistic parts, but also abstract artistic components, is a tempered folk music of Nanyin.

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