Kuaizi dance : The beauty of Kuaizi dance in the context of modern Inner Mongolia

Abstract

Mongolian people have been famous for their ability to sing and dance since ancient times. Dancing is their national characteristic, and it has almost become a Mongolian nature to be able to sing and dance. Mongolian dance includes many aspects of Mongolian people's ideas, production and living practices, religious beliefs, customs and moral concepts. Mongolian dance is colorful, among which the performance form of chopstick dance is very unique. Chopstick dance, with its unique national style, has become an important part of Mongolian culture and one of the main representatives of Mongolian dance, with distinctive rhythm, rough style, delicate performance, vivid and vivid characteristics. The "chopsticks" in the chopsticks dance, as a kind of dance props, also has a long history, and it is often used for performance in modern folk dance. Therefore, props such as chopsticks play an important role in demonstrating the aesthetic sense of Mongolian dance in chopstick dance, which can improve the level of dance expression. It is not only a cultural symbol that is constantly changing in the development process of a national culture, but also a material embodiment in the development process of a country.

Through the introduction of the historical origin and composition of the Mongolian Chopstick Dance, starting from the material function of the "chopsticks ", this paper discusses the changes of the dancing posture of the "chopsticks" dance, explains its cultural connotation, goes deep into its deep meaning world, explores its diversified performance in the dance art field, and analyzes the formation of the Mongolian Chopstick Dance and the beauty of its national temperament and charm, Find a convenient way for the development and inheritance of Mongolian chopsticks dance in today's society

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