Please use this identifier to cite or link to this item: http://202.28.34.124/dspace/handle123456789/2449
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dc.contributorFurong Gaoen
dc.contributorFurong Gaoth
dc.contributor.advisorArsenio Nicolasen
dc.contributor.advisorArsenio Nicolasth
dc.contributor.otherMahasarakham Universityen
dc.date.accessioned2023-12-20T15:45:48Z-
dc.date.available2023-12-20T15:45:48Z-
dc.date.created2021
dc.date.issued17/6/2021
dc.identifier.urihttp://202.28.34.124/dspace/handle123456789/2449-
dc.description.abstractThis dissertation is a comparative study of the Shaanxi Guzheng School and Shandong Guzheng School. The Zheng or Guzheng is a large zither with up to twenty-one or more strings, and is one representative of the plucked instruments in China. It originated in Shaanxi and Gansu, and it developed from the original five strings to the present 21 strings, with the added strings broadening the range of sound and meeting higher performance requirements. In its long-term development, different styles evolved due to different geographical locations. It is mainly divided into two Schools of playing: the Southern School and the Northern School. The styles of the Northern School are further known as the Shaanxi School and the Shandong School. The two Schools of Zheng music were originally part of instrumental ensembles, and then these gradually evolved to solo form. Due to their geographical locations, dialects, customs and other aspects, the two Schools have developed similarities and differences in musical form, composition, performance styles, and due to the influence of Guzheng artists. The first part of this study deals with its history, briefly summarizes the historical origins of the two Schools, and introduces the principal musicians of the two Schools. The second section is concerned with the description of the similarities and differences between the two Guzheng Schools, explained from the perspective of regional factors, local folk music, dialects, vocal styles and other factors that influence the creation of the two Schools, as well as the personal style of the representative artists. The third section describes and analyzes the music of the two Zheng Schools with regards to melody, mode, scale, playing techniques, and rhythmic patterns. In the fourth section, two representative pieces of music, namely the 'Qin Sang' song of Shaanxi Guzheng School and the 'Four pieces of Brocade' of Shandong Guzheng School, are analyzed in detail for their compositional techniques and performance practice.en
dc.description.abstract-th
dc.language.isoen
dc.publisherMahasarakham University
dc.rightsMahasarakham University
dc.subjectZhengen
dc.subjectShaanxi GuZheng Schoolen
dc.subjectShandong GuZheng Schoolen
dc.subject.classificationArts and Humanitiesen
dc.subject.classificationArts, entertainment and recreationen
dc.subject.classificationMusic and performing artsen
dc.titleSimilarities and Differences between Shaanxi Guzheng School and Shandong Guzheng Schoolen
dc.titleความเหมือนและความแตกต่างของกู่เจิ้งสำนักชานซี และสำนักชานดงth
dc.typeThesisen
dc.typeวิทยานิพนธ์th
dc.contributor.coadvisorArsenio Nicolasen
dc.contributor.coadvisorArsenio Nicolasth
dc.contributor.emailadvisorareenio@msu.ac.th
dc.contributor.emailcoadvisorareenio@msu.ac.th
dc.description.degreenameDoctor of Philosophy (Ph.D.)en
dc.description.degreenameปรัชญาดุษฎีบัณฑิต (ปร.ด.)th
dc.description.degreelevelDoctoral Degreeen
dc.description.degreelevelปริญญาเอกth
dc.description.degreedisciplineหลักสูตรปริญญาตรีen
dc.description.degreedisciplineหลักสูตรปริญญาตรีth
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