FESTIVAL OF HAPPINESS

Abstract

This visual arts creation thesis, Festival of Happiness. To study 1) To study art and the cultural environment through activities and community performances from the traditional Flower Hill Festival of the Hmong Huashan in China to create a work of visual art. 2) To create the visual arts, which were inspired by the Huashan Festival, create the visual art of the Festival of Happiness by pinching the enamel. Expression by using visual elements, such as shapes, lines, and colours, from the environment in the community that participates in traditional activities in the style of naive art. Inspired by the traditional Flower Hill Festival of the Hmong Huashan in China. The field research, studying the living environment, dress style, architectural features, songs and dances, festivals, stories and legends, applied arts, etc. of the Hmong people. The work is analysed in combination with the work styles, expression techniques, and influences from the visual arts. This creative work was conducted by the data collected from the conditions of the environment, the data from related documents, and the data about the creation of influential visual arts. The researcher analyzed the data to determine the clarity of the theme, symbolic form, and creation techniques pinching the enamel.

The results of the study and art creation have attenuated the detail of the image Use organic forms in nature. The geometric forms of buildings, houses, and cars and the use of free forms such as sky, water, air, and imagination from the traditional Flower Hill Festival of the Hmong Huashan in China create a work of visual art. The work combines traditional Hmong festival culture with modern visual art techniques, bringing a new form of expression to the traditional culture. The use of enamel painting techniques makes the work unique and meaningful. Technical expressions are important. From the experience of working in jewelry technician, handicrafts, and traditional Chinese techniques that are interested in studying and choosing to work in this creative work, the use of techniques such as pinching enamel, Instead of painting, and use of resin pigments to fill in the colours of the image make the work consistent with the real scene. Gold wire and colour add a lot of fun to the work, and different scenes can convey the joy and festivity of the festival and the beauty of life.

In conclusion the work is, the creation of the Festival of Happiness promotes the understanding and appreciation of Chinese culture among a wider audience, and enhances cultural exchange and communication between different regions and peoples. Through the creation of this artwork, techniques pinching the enamel.the intangible cultural heritage of the Hmong Huashan Festival is preserved and passed down to future generations.

In conclusion the work is of Chinese Hmong traditional festival culture through visual art Creative work has attenuated the detail of the image Use organic forms in nature. The geometric forms of buildings, houses, cars, and the use of free forms such as sky, water, air, and imagination from the Wenshan Festival. The work uses Chinese intangible cultural heritage wire enamel technique to perform. The performance of a series of works not only conveys the happiness of the festival, but also reflects the happy life of people. At the same time, Chinese traditional culture, humanistic spirit and intangible culture can be inherited and developed.

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