Please use this identifier to cite or link to this item: http://202.28.34.124/dspace/handle123456789/2711
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dc.contributorHua Zhangen
dc.contributorHua Zhangth
dc.contributor.advisorAdool Boonchamen
dc.contributor.advisorอดุลย์ บุญฉ่ำth
dc.contributor.otherMahasarakham Universityen
dc.date.accessioned2025-05-07T11:29:49Z-
dc.date.available2025-05-07T11:29:49Z-
dc.date.created2024
dc.date.issued16/5/2024
dc.identifier.urihttp://202.28.34.124/dspace/handle123456789/2711-
dc.description.abstractThe visual arts creation thesis entitled The Suffering of Life was inspired by In modern life, everyone is in pain, fear, struggle, and helplessness. I am also a process from light to blur, in order to fade the bright face of life, an invisible sword is inserted into the human brain. Pain is just one of the sources of art. Human life is full of various uncertainties and complex emotions, which have become the source of my artistic creation. In a rapidly growing economic environment, the sense of helplessness of losing work and being unable to work has made many people feel the helplessness, sadness, hard work, and the moving and power reflected through efforts and struggles. This study aimed to Contains content about suffering caused by living in an urban society. Attachment to materialism and competition is a serious condition in living life. The scope of conceptual creation of the study was People living in pain in the city. The forms of the creation work included woodcarving and resin, and the techniques were sculpture clay casting resin create texture fraces. This creative work was conducted by the data collected from the conditions of the environment, the data from related documents, and the data about the creation of influential visual arts. The researcher analyzed the data to find the clarity of the theme, symbolic form, and creation techniques. The results of the study and creation revealed that the treatment of characters and materialism can convey the sense of power and space of the characters. For those who have experienced painful life, the feeling of being depressed and atrophied is shown, while the inner conflict and struggle of the characters are emphasized by contrasting strong volume changes. The body parts of the characters are sometimes overly bloated, and sometimes skinny, and this extreme contrast reflects the inner conflict and confusion of the characters. In conclusion pain is no longer just an abstract emotion, but through various elements such as concrete images, lines, colors, and materials, people can feel the weight of pain while appreciating the work. The work not only allows people to deeply understand the emotion of pain, but also triggers deep thinking about life, humanity, and the state of existence.en
dc.description.abstract-th
dc.language.isoen
dc.publisherMahasarakham University
dc.rightsMahasarakham University
dc.subjectCity lifeen
dc.subjectMaterialismen
dc.subjectSculptureen
dc.subject.classificationArts and Humanitiesen
dc.subject.classificationArts and Humanitiesen
dc.subject.classificationArts, entertainment and recreationen
dc.subject.classificationFine artsen
dc.titleThe Suffering of Lifeen
dc.titleความทุกข์ของชีวิตth
dc.typeThesisen
dc.typeวิทยานิพนธ์th
dc.contributor.coadvisorAdool Boonchamen
dc.contributor.coadvisorอดุลย์ บุญฉ่ำth
dc.contributor.emailadvisorswebsiri.s@msu.ac.th
dc.contributor.emailcoadvisorswebsiri.s@msu.ac.th
dc.description.degreenameMaster of Fine Arts (M.F.A.)en
dc.description.degreenameศิลปกรรมศาสตรมหาบัณฑิต (ศป.ม.)th
dc.description.degreelevelMaster's Degreeen
dc.description.degreelevelปริญญาโทth
dc.description.degreedisciplineสำนักงานเลขาen
dc.description.degreedisciplineสำนักงานเลขาth
Appears in Collections:Faculty of Fine - Applied Arts and Cultural Science

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