Please use this identifier to cite or link to this item: http://202.28.34.124/dspace/handle123456789/2713
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dc.contributorXiao Heen
dc.contributorXiao Heth
dc.contributor.advisorSirimongkol Natayakulwongen
dc.contributor.advisorศิริมงคล นาฏยกุลวงศ์th
dc.contributor.otherMahasarakham Universityen
dc.date.accessioned2025-05-07T11:29:49Z-
dc.date.available2025-05-07T11:29:49Z-
dc.date.created2024
dc.date.issued22/5/2024
dc.identifier.urihttp://202.28.34.124/dspace/handle123456789/2713-
dc.description.abstractThis qualitative research aims l) To study the history of Confucius’s philosophy in Chinese performing arts(1920-2022), 2) To study and analysis the creation methods of Nan Fang Fu Zi dance drama production in 2022. All information are collected from Documentaries, In-depth Interviews and Observation. The Population and Sampling group were professors at Changshu Institute of Technology, Actors, Director. The result is this descriptive analysis. The research found that the performing art works reflected Confucius’s philosophy include film, television drama, stage drama and Peking Opera. One of the earliest works was the drama titled “Zi Jian Nan Zi” by Lin Yutang in 1920. Confiucius’s philosophy is the core value of Chinese sociocultural, The Confucius’s philosophy on the Chinese performing art works is reflected on the moral ethics, education, politics and other aspects of Chinese society. ln other hand, For the production of Nan Fang Fu Zi dance drama in 2022.It shows that the life of Yanzi who is student from Confucius. The researcher analyzed the characteristics of dance creation, music creation and dress of the drama. Compared with other forms, this kind of dance drama has its unique characteristics and advantages in the aspects of artistry, visual experience, interaction and audience. “Nan Fang Fu Zi” provides valuable guideline and for other dance dramas from four aspects: in-depth exploration of confucius historical , design the story frame and characters,dance movements and content combination,innovative use of modern artistic means.en
dc.description.abstract-th
dc.language.isoen
dc.publisherMahasarakham University
dc.rightsMahasarakham University
dc.subjectConfuciusen
dc.subjectPhilosophyen
dc.subjectYanzien
dc.subjectChinese performing arten
dc.subjectNan Fang Fu Zien
dc.subject.classificationArts and Humanitiesen
dc.subject.classificationArts, entertainment and recreationen
dc.subject.classificationFine artsen
dc.titleNan Fang Fu Zi : Guidelines for Creating Chinese Dance Drama That Reflect The Philosophy of Confuciusen
dc.titleหนาน ฟาง ฟู จึ : แนวทางการสร้างสรรค์นาฏกรรมจีนที่สะท้อนปรัชญาขงจื่อth
dc.typeThesisen
dc.typeวิทยานิพนธ์th
dc.contributor.coadvisorSirimongkol Natayakulwongen
dc.contributor.coadvisorศิริมงคล นาฏยกุลวงศ์th
dc.contributor.emailadvisorsirimongkol.n@msu.ac.th
dc.contributor.emailcoadvisorsirimongkol.n@msu.ac.th
dc.description.degreenameMaster of Fine and Applied Arts (M.F.A.)en
dc.description.degreenameศิลปกรรมศาสตรมหาบัณฑิต (ศป.ม.)th
dc.description.degreelevelMaster's Degreeen
dc.description.degreelevelปริญญาโทth
dc.description.degreedisciplineภาควิชาวัฒนธรรมและการออกแบบen
dc.description.degreedisciplineภาควิชาวัฒนธรรมและการออกแบบth
Appears in Collections:Faculty of Fine - Applied Arts and Cultural Science

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