Ceramic Arts in Zhongdukou of Jingdezhen: Ecological Communication and Practice for Modernization

Abstract

This thesis employs an interdisciplinary research approach, applying Niklas Luhmann's ecological communication theory to the study of Jingdezhen Zhongdukou ceramics art, revealing the complex dynamic interactions between ceramic art and the socio-ecological environment. The research aims to achieve the following objectives: To study the history of ceramic arts and the development of its society in Zhongdukou of Jingdezhen. This is accomplished by reviewing the historical trajectory of ceramic art and its societal context, highlighting how the art form has evolved alongside social changes, and how it has impacted the local community over time. To research the ecological communication mechanisms of ceramic arts in Zhongdukou of Jingdezhen, the study applies Luhmann’s ecological communication theory to explore how ceramic art interacts with the environment, economy, and society, forming complex communication networks that influence both the cultural and economic landscapes.To analyze the practice of ceramic arts in Zhongdukou of Jingdezhen within the context of modernization. By examining the challenges posed by modernization—such as unstable infrastructure and the disconnection between modern business models and traditional ceramic art—the research provides a multi-level analysis of how government policies and community participation shape the practice of ceramic art in a modern context. It demonstrates the critical role of governmental support, policy direction, market demand, and local engagement in ensuring the sustainability of ceramic art.To analyze the ecological communication development strategies of Jingdezhen Zhongdukou ceramic art dissemination in the context of modernization, the research explores strategies for sustainable development, such as the promotion of cultural tourism and the creative industries. This section emphasizes how Zhongdukou ceramics can be preserved and advanced in a modernized society through integrating ecological and economic viewpoints, with a focus on innovative dissemination techniques and community involvement.The research also discusses its limitations and outlines directions for future studies, recommending further research to expand these findings. This would include incorporating broader datasets and leveraging modern technological methods, such as big data and digital platforms, to enhance the understanding of the communication mechanisms and sustainable development strategies for ceramic art.

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