Please use this identifier to cite or link to this item: http://202.28.34.124/dspace/handle123456789/3212
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dc.contributorLi Fanboen
dc.contributorLi Fanboth
dc.contributor.advisorAwirut Thothamen
dc.contributor.advisorอวิรุทธ์ โททำth
dc.contributor.otherMahasarakham Universityen
dc.date.accessioned2026-01-12T14:20:45Z-
dc.date.available2026-01-12T14:20:45Z-
dc.date.created2024
dc.date.issued21/8/2024
dc.identifier.urihttp://202.28.34.124/dspace/handle123456789/3212-
dc.description.abstractThis dissertation focuses on Qin Zheng playing techniques by Zhou Wang in Shaanxi Province, China. The research objectives were 1) to investigate Qin Zheng's historical development of Zhou Wang playing technique in Shaanxi Province, China; 2) to analyze Qin Zheng's playing technique of Zhou Wang playing technique in Shaanxi Province, China; and 3) to purpose guidelines for the preservation and transmission Qin Zheng playing technique of Zhou Wang. Researcher will use field work and other methods to use questionnaires and interviews and other tools.1 key informant. The study results are as follows: First of all, Qin Zheng(秦筝) is a string instrument in the Qin region (present Shaanxi area). It is said to have been made by General Qin Mengtian, hence its name. There are two theories about Qin Zheng in the academic circle. One is the title of Qin Zheng, which originated in Qin and is known as Qin Zheng in history. It has a history of more than 2700 years and is a plucked instrument with unique characteristics and charm in Shaanxi. Zhou Wang: a famous Qin Zheng educator and performer. She is currently professor and doctoral supervisor of the Department of Folk Music of Central Conservatory of Music, vice president of Qin Zheng Society of Chinese Musicians Association, deputy secretary general of Qin Zheng Professional Committee of China National Orchestra Association, and a representative figure of Shaanxi Qin Zheng. Secondly, from the point of view of music analysis, this dissertation analyze Qin Zheng's playing technique of Zhou Wang playing technique. Through the six works we will study deeper by the technique from Zhou Wang. Third, the preservation and transmission of Qin Zheng playing technique of Zhou Wang is a very complicated process. It needs to collect viewpoints with social media. At the same time, we need to understand that this is a complex thing. We must not only mainly preserve and develop the origin of Qin Zheng playing technique of Zhou Wang, but also innovate Qin Zheng playing technique of Zhou Wang for young generation. This is also one of the topics discussion.en
dc.description.abstract-th
dc.language.isoen
dc.publisherMahasarakham University
dc.rightsMahasarakham University
dc.subjectQin Zhengen
dc.subjectZhou Wangen
dc.subjectQin Zheng Techniqueen
dc.subjectPreservation and Transmissionen
dc.subject.classificationArts and Humanitiesen
dc.subject.classificationEducationen
dc.subject.classificationMusic and performing artsen
dc.titleQin Zheng Playing Techniques by Zhou Wang in Shannxi Province, Chinaen
dc.titleเทคนิคการเล่นฉินเจิ้งโดย โจวหวาง ชานซี สาธารณรัฐประชาชนจีนth
dc.typeThesisen
dc.typeวิทยานิพนธ์th
dc.contributor.coadvisorAwirut Thothamen
dc.contributor.coadvisorอวิรุทธ์ โททำth
dc.contributor.emailadvisorawirut.t@msu.ac.th
dc.contributor.emailcoadvisorawirut.t@msu.ac.th
dc.description.degreenameDoctor of Philosophy (Ph.D.)en
dc.description.degreenameปรัชญาดุษฎีบัณฑิต (ปร.ด.)th
dc.description.degreelevelDoctoral Degreeen
dc.description.degreelevelปริญญาเอกth
dc.description.degreedisciplineหลักสูตรปริญญาตรีen
dc.description.degreedisciplineหลักสูตรปริญญาตรีth
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