Please use this identifier to cite or link to this item: http://202.28.34.124/dspace/handle123456789/3213
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dc.contributorWang Weien
dc.contributorWang Weith
dc.contributor.advisorAwirut Thothamen
dc.contributor.advisorอวิรุทธ์ โททำth
dc.contributor.otherMahasarakham Universityen
dc.date.accessioned2026-01-12T14:20:45Z-
dc.date.available2026-01-12T14:20:45Z-
dc.date.created2024
dc.date.issued21/8/2024
dc.identifier.urihttp://202.28.34.124/dspace/handle123456789/3213-
dc.description.abstractThis paper mainly studies the creation techniques of the composer Bao Yuankai's symphonic works and adapts the works into the performance form of the Chinese national orchestral music.About how to make Chinese music can be accepted by the world, and can maintain the Chinese national characteristics, is also a problem facing Chinese music development, many music scholars generally believe that using western composition technology to develop Chinese folk melody is the most effective method, but how to developChinese folk song melody is not easy, there are many problems to be solved. Composer Bao Yuankai's orchestral suite of Chinese folk song theme "Yan Huang Style" was produced in this case, a total of 24 songs.The aim of this study was to be 1. To study thecomposing techniques of composer Bao Yuankai in the Yan Huang Style. 2. To rearrange the songs of composer Bao Yuankai by using the new form of Chinese national orchestra.Suzhou, Jiangsu, China. The investigators will use field work and other methods to use the interviews and other tools. Two key informants, the results of this study are as follows: 1.The six works are analyzed and the specific creative techniques are obtained.The use of these creative techniques has revitalized Chinese folk songs. 2. Used these creative techniques to rearranged these six works into the new form of Chinese national make it have a rich expressive force.en
dc.description.abstract-th
dc.language.isoen
dc.publisherMahasarakham University
dc.rightsMahasarakham University
dc.subjectBao Yuankaien
dc.subjectYan Huang Styleen
dc.subjectCreationen
dc.subjectTechniquesen
dc.subjectRearrangeen
dc.subject.classificationArts and Humanitiesen
dc.subject.classificationEducationen
dc.subject.classificationMusic and performing artsen
dc.titleThe Composing Technique by composer Bao Yuankai of Chinese Folk Song Theme “Yan Huang Style”en
dc.titleเทคนิคการเรียบเรียงโดยผู้แต่ง เปา หยวนไค บทเพลงพื้นบ้านจีน “แบบหยานหวง”th
dc.typeThesisen
dc.typeวิทยานิพนธ์th
dc.contributor.coadvisorAwirut Thothamen
dc.contributor.coadvisorอวิรุทธ์ โททำth
dc.contributor.emailadvisorawirut.t@msu.ac.th
dc.contributor.emailcoadvisorawirut.t@msu.ac.th
dc.description.degreenameDoctor of Philosophy (Ph.D.)en
dc.description.degreenameปรัชญาดุษฎีบัณฑิต (ปร.ด.)th
dc.description.degreelevelDoctoral Degreeen
dc.description.degreelevelปริญญาเอกth
dc.description.degreedisciplineหลักสูตรปริญญาตรีen
dc.description.degreedisciplineหลักสูตรปริญญาตรีth
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