Baxian: Chinese Folk Music in Wedding Ceremony in Fengshan County, Guangxi Zhuang Autonomous Region

Abstract

Baxian is a traditional form of Chinese folk music that holds cultural significance. The objectives of this research were to: 1. Investigate the historical and cultural significance of Baxian, Chinese folk music, in wedding ceremonies in Fengshan County, Guangxi Zhuang Autonomous Region. 2. Analyze the musical characteristics of Baxian, Chinese folk music, in wedding ceremonies in Fengshan County, Guangxi Zhuang Autonomous Region. 3. Propose guidelines for the transmission and preservation of Baxian, Chinese folk music, in wedding ceremonies in Fengshan County, Guangxi Zhuang Autonomous Region, China. Qualitative research methods with interview and observation forms are adopted as research tools. Collect data on-site through interviews with seven informants in the field and classify and analyze the collected data. The results indicate that:

1. The historical development of Baxian highlights its deep-rooted connections with local customs and ceremonial practices and showcases its resilience and adaptability over two centuries. The cultural significance of Baxian within wedding ceremonies and its broader context, with musicians revered as earthly embodiments of the Baxians. This cultural heritage of modernization paints a vivid picture of Baxian's enduring importance.

2. Through eight representative pieces, the musical characteristics of Baxian folk music are explored, including modes, rhythms, melodies, and structures. These musical attributes contribute to the festive atmosphere and convey deep emotions in more solemn compositions, offering insights into the vibrant local culture, unique cultural identity, and social relevance of the Baxian community's musical heritage.

3. The transmission and preservation of Baxian folk music provide a comprehensive strategy to safeguard and promote this cultural treasure. It begins by highlighting the current reliance on oral tradition and personal demonstrations among transmitters, with limited institutional support, underscoring the need for innovative transmission methods and heightened public awareness, especially among younger generations, including educational courses, training programs, heritage bases, integration into formal education, and cultural activities.

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