The Mongolian Folk song after cultural development since 1949

Abstract

This paper takes Inner Mongolia folk songs as the research object. the purpose of the study is :1) To investigate the contemporary status of Mongolian folk songs after 1949.2) To analyze the song characteristics of Mongolian folk songs.3) To provide the guideline for preservation and transmission of Mongolian folk songs.The results are as follows:

Firstly, the contemporary status of Mongolian folk songs after 1949, Inner Mongolia folk songs from 1949 to the beginning of the 21st century, are affected by political changes, social changes and cultural Renaissance. Development is slow. After the 20th century, Inner Mongolia folk songs have made remarkable progress in policy support, cultural exchange, modern technology and other aspects, showing a trend of diversified development.

Secondly, the musical characteristics of Inner Mongolia folk songs. In accordance with Mongolian life and social development, the music structure and melody characteristics follow the principle of symmetrical structure, the rhythm is relatively free, there is no fixed rhythm type, mostly monophonic, and the content and theme usually reflect the Mongolian culture, lifestyle and values. In order to better describe the characteristics of the music, the researchers selected six types of Mongolian folk songs and put forward objective views through the analysis of the works.

Thirdly, it provides guidance for the preservation and dissemination of Mongolian folk songs. According to the investigation, the current protection effect of Mongolian folk songs is relatively good, but there are still shortcomings. The researchers put forward some measures: 1) virtual reality experience 2) interactive concert 3) creative marketization 4) Mongolian folk song experience camp.

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