Please use this identifier to cite or link to this item: http://202.28.34.124/dspace/handle123456789/3235
Title: Quju Opera in Luoyang City, Henan Province, China
คิวจูโอเปร่าในเมืองลั่วหยาง มณฑลเหอหนาน ประเทศจีน
Authors: Zhuo Zhang
Zhuo Zhang
Awirut Thotham
อวิรุทธ์ โททำ
Mahasarakham University
Awirut Thotham
อวิรุทธ์ โททำ
awirut.t@msu.ac.th
awirut.t@msu.ac.th
Keywords: Quju Opera
Music Characteristics
Preservation and transmission
Issue Date:  18
Publisher: Mahasarakham University
Abstract: This dissertation focuses on Quju Opera in Luoyang Henan,China. The research objectives were 1) to explore the historical development of Quju Opera in Luoyang, Henan province. 2) to analyze the songs of Quju Opera in Luoyang, Henan province. 3) to propose the method of preservation and dissemination of Quju Opera in Luoyang, Henan province.Researcher used methods such as field work, interview form to select 3 key informants,4 casual investigators and 7 general investigators were selected. The study results are following: Firstly, Based on literature and field work results, analyze the development stages and characteristics of Quju Opera in Luoyang, and propose the development background of Quju Opera in Luoyang. After summarizing and generalizing existing literature, the author divides Quju Opera into sex main stages based on its performance forms, singing modes, and other characteristics: "Origin stage", "Zuo Tang Tan Chang", "Gao Qiao Qu", "Xiao Diao Qu ZI", "Quzixi"and "Quju Opera". The author also sorts out the name changes and origins of Quju Opera in various historical periods in Luoyang. Secondly,Based on literature and field research, this study found that while there are over 320 traditional opera, only about 40 common musical forms are frequently used. Focusing on three key works from the peak period Chen Sanliang, Juan Xitong, and Li Huozi Remarried the research includes pinyin annotations and English translations of the lyrics. It explores melodic characteristics, musical forms, intervals, rhythms, tempos, and accompanying instruments, and compares vocal techniques, including language, voice production, breath control, and emotional expression. Thirdly, Research on Quju Opera highlights the need for revitalization despite challenges. The state should support cultural preservation, boost education to raise awareness, and enhance publicity to foster cultural identity. Practitioners need to adapt to modern challenges. Increased support and dedicated institutions are crucial for maintaining Quju Opera and balancing tradition with modernization.
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URI: http://202.28.34.124/dspace/handle123456789/3235
Appears in Collections:College of Music

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