The vocal technique in traditional folk song “Hehuang Huaer "of Qi Fangfang in Qinghai Province, China

Abstract

There are two research objectives: 1) To investigate the status of traditional folk song “Hehuang Huaer "in Qinghai Province, China, 2) To analyzes the vocal technique of Qi Fangfang in traditional folk song “Hehuang Huaer "in Qinghai Province, China，This study employs qualitative research such as interviews and observations of a key informants, field investigations, and musicology methodology to analyze vocal technique. The results are as follows:

1) The five stages of Hehuang Huaer have different historical characteristics and development. 1. The origin period Ming Dynasty -1920s, 2. The development period 1940s -1960s, 3. The decline period 1966s -1976s, 4. The recovery period 1979s - 1990s 5. The gentle period from 21st century to the present. In each period, the song form and content of Qinghai folk song "Hehuang Huaer" have developed to different degrees.

2) There are many vocal technique in Qinghai folk song "Hehuang Huaer", but Five vocal technique of Ms. Qi Fangfang singing “Hehuang Huaer” : 1. Use of breath - fast breath and slow breath, 2. Sound resonance - chest resonance; 3. Vocal technique - cang yin, cang jian yin; 4. Singing language - Qinghai dialect， 5. Emotional processing - the rhythm of body language is most characteristic

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