Chinese Miao Feige Folk Songs in Guizhou Province, China

Abstract

This study delves into the Miao Feige, a unique form of vocal expression deeply embedded in the cultural and historical fabric of the Miao people. The research objectives are to 1) investigate the current status of Chinese Miao Feige Folk Songs in Guizhou Province, China, and 2) analyze the characteristics of Chinese Miao Feige Folk Songs in Guizhou Province, China. Data were collected from three key informants through qualitative methods, field observations, interviews, and thematic analysis. The research results show that:

1. Miao Feige folk songs, categorized into five types, are crucial for festivals and cultural preservation. They serve various social functions and are transmitted through family-based activities, folklore activities, teacher training, schooling, and modern media. Miao Feige's inheritance value encompasses social, historical, cultural, spiritual, scientific, aesthetic, educational, and economic aspects.

2. Miao Feige folk songs are shaped by historical, cultural, geographical, and social factors, making them unique among minority music traditions. They feature long, fluid melodies with wide intervals, often incorporating glissandos for emotional expression. The rhythms reflect natural speech patterns and physical movements, with drones and parallel intervals for rich texture. Singing techniques include high-pitched voices and vocal ornamentations.

The study suggests integrating Miao Feige into educational curricula and using modern media for cultural promotion. Comparative studies with other ethnic music traditions and exploring the impact of modernization on Miao Feige's preservation are also suggested. These strategies aim to promote cultural understanding and preserve the traditional music form.

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