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http://202.28.34.124/dspace/handle123456789/3266| Title: | Chagan Sulid Sacrifice at Wushen Banner, China : Storytelling and Social Memory of Inner Mongolian in the Context of National Heritage พิธีกรรมบูชาแกนซูริดในอูซิน แบนเนอร์ ประเทศจีน : การเล่าเรื่องและความทรงจำทางสังคมของชาวมองโกเลียในในบริบทของมรดกแห่งชาติ |
| Authors: | Lili Tang Lili Tang Somkhit Suk-erb สมคิด สุขเอิบ Mahasarakham University Somkhit Suk-erb สมคิด สุขเอิบ somkhit.s@msu.ac.th somkhit.s@msu.ac.th |
| Keywords: | Chahar Tribe Mongolian social changes storytelling social memory modern context |
| Issue Date: | 25 |
| Publisher: | Mahasarakham University |
| Abstract: | This study is basic research and adopts qualitative research methods. Starting from the Chagansulide Sacrifice in Wushen Banner: the story narration and social memory folk culture phenomenon of the Mongolian people in China in the context of national heritage, we will study the Chagansulide Sacrifice through the continuous changes of the Mongolian descendants of the Chahar tribe in the process of Chinese historical and social changes. spatial production, symbolic interaction and other memory processes. The study found that Wushen Banner has long been inhabited by Mongolians, Hans, and other ethnic minorities. The physical space, topography, and climate of the settlements are factors that form grassland ecology and desert landforms. The development of various ethnic groups is related to the formation of nomadic peoples in the area. The uniqueness of wisdom and traditional folk culture. At the same time, the Mongolian people and various ethnic groups have production, lifestyle and ritual performances related to Chagansulide. Through the historical context, the symbolic system with the "national flag" as the core started from the early totem belief and constructed the story narrative of the region. The story about Genghis Khan's "national flag" has never been interpreted so that everyone can have social memory. The beauty of the unique spatial form, the overall elements and pattern composition, from the past to the present, are works of art that give meaning to the reproduction of space. In the context of national heritage, the spatial reproduction of the meaning of folk cultural phenomena and the integration of modern culture continue to occur in symbolic interactions, giving new looks to the post-Mongolian nation and the Chinese government to create a mutually negotiated storytelling process. In the modern context, new media promotes the diversified release of constant ritual stages, and the "points, lines and surfaces" of different perspectives extend the experience of the same memory. China's rapid development and government policy formulation will affect the protection and inheritance of traditional folk culture.
Analyze the folk cultural phenomenon of "Chagan Suli De Sacrifice" from the perspective of sociology and value studies through the two core concepts of story narrative and social memory. As the core and spiritual force of the Mongolian nation, Sulid culture is also integrated into the Chinese national cultural community. - |
| URI: | http://202.28.34.124/dspace/handle123456789/3266 |
| Appears in Collections: | Faculty of Fine - Applied Arts and Cultural Science |
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| File | Description | Size | Format | |
|---|---|---|---|---|
| 64012451023.pdf | 5.55 MB | Adobe PDF | View/Open |
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