Folk Art : The Protection and Development of Minquan Painting Tiger Village in China

Abstract

This paper takes Minquan Painting Tiger Village as an example, summarizes the protection and development of folk art and culture industry, finds out the problems that hinder the inheritance and development of folk art and puts forward corresponding strategies. Due to the formation of relevant policies in China as an important part of China's social and economic development, promoting the adjustment of rural industrial structure and the increase of farmers' income, and the improvement of living standards, the protection and development of folk art is necessary to build a related cultural industry chain on this basis. The main purpose of this study is to explore the quality research through the analysis of Minquan Painting tiger Village, so as to help the better protection and inheritance of this field.

The three purposes of this research can be outlined as follows:1)To study historical background of Minquan painting of folk art in China. 2) To study current sittuations and problems of Minquan“ Painting Tiger Village”.3) To present guidelines for protection and development of Minquan“ Painting Tiger Village”

In order to maximize first-hand information and conduct in-depth research, this study used qualitative research supported by participatory research, and surveys, observations and data from relevant literature and fields.Respondents included: 1）4 Key Informant.2）12 Casual Informant. 3）20 General Informant.

The results show that the folk art needs to explore new development paths from the establishment of the subject position, the protection of the living environment, and the excavation of universal elements.However, insufficient attention is still paid to the protection of folk art.The research subject of this paper, "Painting tiger Village", was originally a typical poor village on the eastern Henan plain, and the villagers have always maintained the tradition of folk painting.From the embryonic period of the 1960s to the 1960s and 1970s, a group of peasant painters in the village tried to change the poor and backward life difficulties through their own artistic talents, and finally achieved success.With the rapid development of the society, the village is facing a severe test, and various problems come one after another, which greatly restricts the development of folk art.People's attention is more on whether the economic benefits can be obtained, and what is the essence of the development of Huhu Village, which leads to the bottom soon after the rise.

This paper puts forward several suggestions according to the current situation. It includes the strengthening of government management and guidance at the government level; the rational development and utilization on the basis of respecting the folk art and the development of folk art and the local characteristics.

-