Please use this identifier to cite or link to this item: http://202.28.34.124/dspace/handle123456789/3701
Full metadata record
DC FieldValueLanguage
dc.contributorHao Tuen
dc.contributorHao Tuth
dc.contributor.advisorSanchai Duangbungen
dc.contributor.advisorสัญชัย ด้วงบุ้งth
dc.contributor.otherMahasarakham Universityen
dc.date.accessioned2026-04-22T11:31:47Z-
dc.date.available2026-04-22T11:31:47Z-
dc.date.created2025
dc.date.issued12/3/2025
dc.identifier.urihttp://202.28.34.124/dspace/handle123456789/3701-
dc.description.abstractThe accordion is an imported instrument in Guizhou. After decades of development, it now faces many challenges. This study aims to explore three key aspects: (1) the historical development of the accordion in Guizhou Province, (2) an analysis of the performance techniques used in representative Guizhou accordion works, and (3) the social and cultural role of the accordion in Guizhou. The study employs a qualitative research approach, utilizing field surveys, in-depth interviews with three key informants, and observational methods to gather comprehensive insights into the historical and cultural dimensions of accordion music in Guizhou. The research results indicate that: (1) The current situation of accordion in Guizhou is closely related to the social and cultural changes in the region. There is a relatively systematic education and research foundation in several accordion major universities in Guizhou, but the application and popularization at the community level still need to be improved. Research has found that there are great challenges to the development of accordion in Guizhou, and more support and promotion are needed for the artistic dissemination of accordion, especially in promoting the popularization of accordion education and the integration of cultural activities. (2) The representative works of Guizhou accordion have unique historical and artistic significance, reflecting the music characteristics of local ethnic minorities. Through in-depth analysis of the performance techniques and artistic features of the works, the uniqueness of accordion in the expression and cultural connotation of Guizhou ethnic minority music is revealed. Seven special techniques are summarized when playing ethnic minority works, and the important role of accordion in cross-cultural communication and music creation is further explored. (3) A policy has been proposed for the protection and promotion of accordion in Guizhou. The protection and promotion of accordion in Guizhou universities and coen
dc.description.abstract-th
dc.language.isoen
dc.publisherMahasarakham University
dc.rightsMahasarakham University
dc.subjectCurrent statusen
dc.subjectPlaying Techniqueen
dc.subjectGuidelineen
dc.subject.classificationArts and Humanitiesen
dc.subject.classificationEducationen
dc.subject.classificationMusic and performing artsen
dc.titleThe Accordion music in Guizhou Provinceen
dc.titleดนตรีหีบเพลงในจังหวัดกุ้ยโจวth
dc.typeThesisen
dc.typeวิทยานิพนธ์th
dc.contributor.coadvisorSanchai Duangbungen
dc.contributor.coadvisorสัญชัย ด้วงบุ้งth
dc.contributor.emailadvisorSanchai.d@msu.ac.th
dc.contributor.emailcoadvisorSanchai.d@msu.ac.th
dc.description.degreenameDoctor of Philosophy (Ph.D.)en
dc.description.degreenameปรัชญาดุษฎีบัณฑิต (ปร.ด.)th
dc.description.degreelevelDoctoral Degreeen
dc.description.degreelevelปริญญาเอกth
dc.description.degreedisciplineหลักสูตรปริญญาตรีen
dc.description.degreedisciplineหลักสูตรปริญญาตรีth
Appears in Collections:College of Music

Files in This Item:
File Description SizeFormat 
64012061053.pdf6.16 MBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.