Please use this identifier to cite or link to this item: http://202.28.34.124/dspace/handle123456789/3707
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dc.contributorZhuojun Xieen
dc.contributorZhuojun Xieth
dc.contributor.advisorNarongruch Woramitmaitreeen
dc.contributor.advisorณรงค์รัชช์ วรมิตรไมตรีth
dc.contributor.otherMahasarakham Universityen
dc.date.accessioned2026-04-22T11:31:48Z-
dc.date.available2026-04-22T11:31:48Z-
dc.date.created2025
dc.date.issued9/3/2025
dc.identifier.urihttp://202.28.34.124/dspace/handle123456789/3707-
dc.description.abstractThis study explores the integration of the Western flute into Chinese music through two primary research objectives: 1) to investigate the historical development of the Western flute's integration into Chinese music, and 2) to analyze the musical characteristics of this integration.  The first objective focuses on tracing the historical development of the Western flute's incorporation into Chinese music from 1900 to the present (2025). This period marks the latter part of the modern era of music, during which the Western flute, a woodwind instrument of European origin, began to interact with Chinese musical traditions. Integration, defined as the blending of Chinese musical elements with the Western flute, is examined through the lens of cultural exchange and adaptation. The second objective delves into the musical characteristics of the Western flute's integration into Chinese music. By examining the 12 selected works, the study analyzes specific elements such as form, structure, rhythm, melody, harmony, sound, and techniques (both common and contemporary). These characteristics are contextualized within the framework of Chinese ethnic and folk music traditions, highlighting how the Western flute has been adapted to reflect Chinese musical aesthetics while retaining its European origins. The analysis reveals the unique interplay between the two musical traditions and the resulting innovations in composition and performance. In conclusion, this research provides a comprehensive understanding of the historical and musical dimensions of the Western flute's integration into Chinese music. By examining both the historical trajectory and the distinctive musical characteristics, the study illuminates the cultural and artistic synthesis that has emerged from this cross-cultural interaction. The findings contribute to a deeper appreciation of the evolving role of the Western flute in Chinese music and its significance in the broader context of global musical exchange.en
dc.description.abstract-th
dc.language.isoen
dc.publisherMahasarakham University
dc.rightsMahasarakham University
dc.subjectWestern fluteen
dc.subjectChinese musicen
dc.subjectIntegrationen
dc.subjectHistorical developmenten
dc.subjectMusical characteristicsen
dc.subjectContemporary techniquesen
dc.subject.classificationArts and Humanitiesen
dc.subject.classificationEducationen
dc.subject.classificationMusic and performing artsen
dc.titleIntegration of the Western Flute into Chinese Musicen
dc.titleการบูรณาการขลุ่ยฟลู๊ตเข้ากับดนตรีจีนth
dc.typeThesisen
dc.typeวิทยานิพนธ์th
dc.contributor.coadvisorNarongruch Woramitmaitreeen
dc.contributor.coadvisorณรงค์รัชช์ วรมิตรไมตรีth
dc.contributor.emailadvisornarongruch.w@msu.ac.th,narongracha99@gmail.com
dc.contributor.emailcoadvisornarongruch.w@msu.ac.th,narongracha99@gmail.com
dc.description.degreenameDoctor of Philosophy (Ph.D.)en
dc.description.degreenameปรัชญาดุษฎีบัณฑิต (ปร.ด.)th
dc.description.degreelevelDoctoral Degreeen
dc.description.degreelevelปริญญาเอกth
dc.description.degreedisciplineหลักสูตรปริญญาตรีen
dc.description.degreedisciplineหลักสูตรปริญญาตรีth
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