Changes in musical instruments of ethnic minorities in northwestern Guangxi in 21st century: distribution, occasions and functions

Abstract

This dissertation examines the changes in musical instruments of ethnic minorities in Northwestern Guangxi in the 21st century. It aims to 1) explore the types and distribution of musical instruments of ethnic minorities in Northwest Guangxi. 2) analyze the performance occasions of musical instruments of ethnic minorities in northwestern Guangxi and their changes since the 21st century. 3) study the functions of musical instruments of ethnic minorities in northwestern Guangxi and their changes since the 2lst century. The research integrates theoretical frameworks from ethnomusicology, organology, and musicology, utilizing data collected through literature review and fieldwork.

The findings reveal three main points: 1) Since the beginning of the 21st century, only 13 musical instruments remain actively used among ethnic minorities in Northwestern Guangxi, with the current distribution of six instruments differing significantly from historical records, requiring updated documentation. 2) Originally performed at specific events such as funerals, weddings, festivals, and leisure, many instruments now face fewer performance restrictions, broadening their contexts of use. 3) Previously serving primarily for communication, symbolism, education, and emotional expression, many musical instruments have increasingly adopted entertainment purposes. These transformations largely stem from governmental initiatives and the rapid development of regional tourism.

-