Please use this identifier to cite or link to this item: http://202.28.34.124/dspace/handle123456789/3713
Title: A comparative study of the Northern and Southern Styles of Zhuang Opera in the Guangxi Zhuang Autonomous Region, China
การศึกษาเปรียบเทียบรูปแบบละครงิ้วภาคเหนือและภาคใต้ในเขตปกครองตนเองกวางสีจ้วง ประเทศจีน
Authors: Wenying Chen
Wenying Chen
Suthasinee Theerapan
สุธาสินี ถีระพันธ์
Mahasarakham University
Suthasinee Theerapan
สุธาสินี ถีระพันธ์
suthasinee.t@msu.ac.th
suthasinee.t@msu.ac.th
Keywords: Zhuang Opera
Northern and Southern styles
Comparative study
Guangxi Zhuang Autonomous Region
Issue Date:  26
Publisher: Mahasarakham University
Abstract: This dissertation takes Zhuang Opera in the Guangxi Zhuang Autonomous Region of China as the research object. The research objectives of this paper are: 1) To study the current status of Zhuang Opera in the Guangxi Zhuang Autonomous Region. 2) To compare the Northern and Southern styles of Zhuang Opera in the Guangxi Zhuang Autonomous Region. 3) To propose guidelines for the transmission and preservation of Zhuang Opera in the Guangxi Zhuang Autonomous Region. This research adopts a qualitative research method, applying theories such as ethnomusicology theory, cultural anthropology, comparative musicology, and traditional Chinese music analysis. Key informants working on the ground were interviewed, and a large amount of data was collected. Subsequently, the data from the field investigation were classified and analyzed. The results of this study indicate that: 1) Zhuang Opera is a unique artistic expression form of the Zhuang ethnic group, embodying the will, thoughts, and character traits of the Zhuang people. Despite experiencing different historical stages, Zhuang Opera still demonstrates extraordinary vitality. At the same time, Zhuang Opera also faces issues such as language problems and the integration of the Southern and Northern styles of Zhuang Opera.2) The Northern and Southern Zhuang Operas are two branches of Zhuang Opera in Guangxi. Due to differences in dialects, musical singing, performance styles, and popular areas, there are variations in stories, singing tones, lyrics, accompanying instruments, and performances. 3) Before being listed as a Chinese intangible cultural heritage, the inheritance of Zhuang Opera mainly relied on oral instruction and personal guidance by inheritors. After being listed as a Chinese intangible cultural heritage, achievements have been made in the protection of inheritors, the construction of troupes, and the establishment of performance platforms. This paper puts forward guidelines for the next stage of protection of Zhuang Opera.
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URI: http://202.28.34.124/dspace/handle123456789/3713
Appears in Collections:College of Music

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