The study of Tibetan folk songs in Qinghai, China

Abstract

This dissertation of Tibetan folk songs in Qinghai Province, China. the study employs a multidisciplinary methodology combining literature review, fieldwork, interviews, and musical analysis. The research aims to: (1) investigate the status of Tibetan folk songs in Qinghai,China. (2) analysis of the music characteristics of Tibetan folk songs in Qinghai,China .and (3) propose the guidelines for preservation and transmission of Tibetan folk songs in Qinghai,China. The result found that

Tibetan folk songs are integral to the cultural identity and social life of Tibetan communities. These songs encompass a wide variety of types including pastoral, labor, love, religious, and ceremonial songs. Each reflecting the environmental, historical, and spiritual context of Qinghai’s Tibetan population.

The songs exhibit free rhythmic structures, wide vocal ranges, and distinctive melodic forms tied to regional dialects and traditions.

The local communities continue to sustain them through oral transmission, religious practices, and community performances. Institutional efforts such as cultural heritage listings, school-based education, and digital archiving further contribute to their survival. The future of Tibetan folk songs in Qinghai depends on a balanced integration of traditional practices with innovative preservation strategies. Recommendations include enhancing education, supporting community transmission, leveraging digital media, and promoting cross-cultural exchange. The research not only enriches the academic understanding of Tibetan music but also provides practical frameworks for safeguarding intangible cultural heritage.

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