The Life and Work of Gong Yi in Guqin Music

Abstract

This study delves into Gong Yi's life, work, and musical contributions. Qualitative research and data collection were conducted through field investigations involving key informants. The research tools included observation and interview questionnaires. The research findings are as follows:

Gong Yi's significant role in preserving and innovating the traditional art of Guqin music is highlighted. Gong Yi's journey, from his early exposure to Guqin in Nanjing to his formal education at the Shanghai Conservatory of Music, illustrates his dedication to mastering traditional techniques while embracing modern pedagogical and creative approaches. The research examines his teaching philosophy, international performances, and the creation of new Guqin techniques such as "Pa Yin," "Nian Lun," "Yao Zhi," and "Sanzhi Cuo," which have expanded the expressive possibilities of the Guqin.

This study focuses on three representative songs-"Shan Shui Qing," "Chun Feng," and "Mei Yuan Yin." It provides an in-depth analysis of their compositional structures, harmonic developments, rhythmic intricacies, and performance techniques. These compositions blend traditional aesthetics with modern innovations, reflecting Gong Yi’s efforts to balance heritage preservation with creative evolution. The findings underscore Gong Yi's profound influence on Guqin art as a performer, educator, and innovator. By integrating ethnomusicological and musicological perspectives, this study sheds light on the enduring significance of the Guqin in contemporary Chinese and global contexts, advocating for its ongoing transmission and development.

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