The Singing techniques of Mongolia folk song of Saiyin Bilige

Abstract

The title of this research is The Singing Techniques of Mongolian Folk Song of Saiyin Bilige. This objectives were to (1) examine the life and work of Saiyin Bilige; (2) analyze the vocal characteristics of Mongolian folk songs as performed by him; and (3) investigate the transmission methods of him. A qualitative research methodology was adopted, combining fieldwork, in-depth interviews, and document analysis. Musical characteristics were examined using both Western and Chinese music theory frameworks. The research was conducted primarily in Inner Mongolia, with data collected through interviews with key informants, performance observation. The results follows as:

First, Saiyin Bilige’s life story reflects a lifelong dedication to the Horqin long-tune tradition. From his early musical training under his mother and mentors like Lasurong, to formal studies at Shenyang Conservatory of Music.He became a professional singer, performed internationally, and was honored as a national intangible cultural heritage transmitter.

Second, his singing is characterized by wide intervals, rich ornamentation such as glissando and the “Nogula” technique, free rhythm, and deep emotional expression rooted in the pentatonic scale. His performances vividly portray the spirit of the Mongolian grasslands.

Third, his transmission methods emphasize oral tradition, community involvement, and emotional connection, ensuring that the essence of Mongolian folk music continues to thrive among future generations.

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