Wedding Ceremony Folk Songs of the Contemporary Inner Mongolian Autonomous Region, China

Abstract

This thesis focuses on folk songs in Inner Mongolia Autonomous Region's wedding ceremonies. Its research objectives include: investigating their historical development, analyzing musical characteristics, and examining preservation changes.

First, it zeroes in on the Mongolian wedding ceremony. The study traces its historical development and evolution through different stages. For the modern Mongolian wedding in Inner Mongolia, it explores the ceremony process and its links. Meanwhile, it analyzes the music used, including its type, style, and the cultural and emotional meanings it conveys in the wedding. This aims to comprehensively display the cultural essence and unique charm of modern Mongolian weddings.

Secondly, the research centers on folk songs in contemporary Inner Mongolian wedding customs. It starts by sorting out the types of these folk songs, showing their rich diversity. Then, it deeply analyzes representative ones, exploring their unique charms through lyrics, melodies, and singing styles.

Finally, the article discusses the significance of folk songs in contemporary Inner Mongolian weddings. It reveals their crucial value in cultural inheritance, emotional cohesion, and atmosphere creation. By doing so, it demonstrates the strong cultural ties between these folk songs and contemporary wedding customs, highlighting how they are an integral part of the region's cultural heritage and social life.

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