Chinese Folk Songs of the Elunchun Ethnic Group in Northeast China

Abstract

The objectives of this research were to: 1) Investigate the historical development of Chinese folk songs among the Elunchun ethnic group in Northeast China. 2) Analyze the musical characteristics of Chinese folk songs among the Elunchun ethnic group in Northeast China. 3) Propose guidelines for the preservation and transmission of Chinese folk songs among the Elunchun ethnic group in Northeast China. Qualitative research methods with interview and observation forms are adopted as research tools. Collect data on-site through interviews with three key informants and classify and analyze the collected data. The results indicate that:

1. The historical development of Elunchun folk songs reflects their reverence for nature. However, modernization and the decline of hunting practices threaten their preservation. Strategies include integrating songs into school curricula, promoting cultural exchange, and developing the Elunchun music culture industry. Incorporating modern elements can expand their appeal while preserving their fundamental identity.

2. The musical characteristics of Elunchun folk songs are people's connection to nature, daily life, love, and spiritual beliefs. The songs "Xin Xin Xiang Yin De Ren" symbolize harmony, while "Zanda Ren" represents joyous celebrations. "Elunchun De Hui Yi" conveys the people's reverence for nature and their transition into modern life. "De Mi De" is deeply rooted in Elunchun Shamanism and carries religious significance.

3. The preservation and transmission of Elunchun folk songs are crucial for the ethnic group's cultural identity. A comprehensive approach involving research, education, and innovative practices is needed to preserve their musical legacy, promote them through traditional and new media, and maintain their relevance in contemporary society.

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