An Analysis of Tuba Playing Techniques in the Chinese Folk Song “Ga Da Mei Lin”

Abstract

This research study has two objectives: 1) the historical development and 2) the Tuba playing techniques in performing the Chinese folk song “Ga Da Mei Lin”. The researcher conducted qualitative research and data collection through field investigations involving two key informants. The research tools included observation and interview questionnaires. The research findings are as follows:

1. Originating as a Mongolian long narrative folk song, “Ga Da Mei Lin” narrates the heroic resistance of “Ga Da Mei Lin”, a Mongolian leader who fought against feudal oppression to protect his people's grasslands. Various musical forms, including a symphonic poem and a Tuba solo arrangement, have adapted this folk song. These adaptations exemplify a fusion of Mongolian traditional music with Western instrumental methodologies, preserving the cultural essence while showcasing the versatility of Western instruments. The historical evolution of this iconic folk song emphasizes its transformation into a Tuba solo.

2. Analyze the technical of performing this solo on the Tuba, including breath control, tone shaping, glissandos, rhythmic techniques, and the use of vibrato to evoke the ethnic and emotional essence of Mongolian music. This study shows how important “Ga Da Mei Lin” is to Mongolian culture as a symbol of heritage. It can bring people from different cultures together by comparing how famous performers have interpreted it.

It also gives us helpful information about teaching and creating art by mixing traditional Chinese folk elements with Western instrumental styles, which helps us learn more about how music from different cultures can blend.

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