Please use this identifier to cite or link to this item: http://202.28.34.124/dspace/handle123456789/3749
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dc.contributorXianzhuo Xuen
dc.contributorXianzhuo Xuth
dc.contributor.advisorSarawut Choatchamraten
dc.contributor.advisorศราวุธ โชติจำรัสth
dc.contributor.otherMahasarakham Universityen
dc.date.accessioned2026-04-22T11:31:53Z-
dc.date.available2026-04-22T11:31:53Z-
dc.date.created2025
dc.date.issued12/3/2025
dc.identifier.urihttp://202.28.34.124/dspace/handle123456789/3749-
dc.description.abstractThis study explores the concepts of music composition in  "Zhong Guo Feng" song of Liang Yunjiang. Combining field investigation, interviews and literature analysis, there are two purposes: 1) To investigate the life and work of Liang Yunjiang.; 2) To analyze the concepts of composition in "Zhong Guo Feng" song of Liang Yunjiang. The results of this study are as follows: 1. Liang Yunjiang has achieved fruitful results in the field of traditional music with his unique life experience. Cultivate mass students, propose innovative theories, and promote teaching practice and interdisciplinary integration; in terms of academics, write monographs and release albums to promote the inheritance and development of excellent erhu music. The work "Zhong Guo Feng" is based on the creation of the Jiangsu folk song "Jasmine Flower". It has developed characteristics and innovations in instrument combination (erhu and accordion), form structure, melody characteristics, rhythm application and playing skills, presenting a unique musical charm. 2. Liang Yunjiang advocates the integration of traditional music elements with modern creation and Western theory, enriching musical expression, promoting the development of Chinese folk music in a diversified era, and triggering thinking about cultural exchange innovation. In music education, his innovative ideas and practices are of great significance to the cultivation of all-round music talents. "Zhong Guo Feng" achieves cross-cultural integration and provides new ideas for the inheritance and development of traditional music. It proves that different cultural music elements can enrich each other, and that the innovation of traditional music needs to retain the core elements to adapt to modern aesthetics. All parties attach importance to the dissemination and development of national music culture, and emphasize the importance of national.en
dc.description.abstract-th
dc.language.isoen
dc.publisherMahasarakham University
dc.rightsMahasarakham University
dc.subjectLiang Yunjiangen
dc.subjectErhuen
dc.subjectMusic Compositionen
dc.subjectZhong Guo Fengen
dc.subjectChinese Musicen
dc.subject.classificationArts and Humanitiesen
dc.subject.classificationEducationen
dc.subject.classificationMusic and performing artsen
dc.titleConcepts of Music Composition in "Zhong Guo Feng" song of Liang Yunjiangen
dc.titleแนวคิดการประพันธ์ในบทเพลง "จงกัวเฟิง" ของเหลียงหยุนเจียงth
dc.typeThesisen
dc.typeวิทยานิพนธ์th
dc.contributor.coadvisorSarawut Choatchamraten
dc.contributor.coadvisorศราวุธ โชติจำรัสth
dc.contributor.emailadvisorsarawut.c@msu.ac.th
dc.contributor.emailcoadvisorsarawut.c@msu.ac.th
dc.description.degreenameMaster of Music (M.M.)en
dc.description.degreenameดุริยางคศาสตรมหาบัณฑิต (ดศ.ม.)th
dc.description.degreelevelMaster's Degreeen
dc.description.degreelevelปริญญาโทth
dc.description.degreedisciplineหลักสูตรบัณฑิตศึกษาen
dc.description.degreedisciplineหลักสูตรบัณฑิตศึกษาth
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