Please use this identifier to cite or link to this item: http://202.28.34.124/dspace/handle123456789/3789
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dc.contributorQing Lyuen
dc.contributorQing Lyuth
dc.contributor.advisorArkom Sa-Ngiamviboonen
dc.contributor.advisorอาคม เสงี่ยมวิบูลth
dc.contributor.otherMahasarakham Universityen
dc.date.accessioned2026-04-22T11:46:18Z-
dc.date.available2026-04-22T11:46:18Z-
dc.date.created2025
dc.date.issued24/3/2025
dc.identifier.urihttp://202.28.34.124/dspace/handle123456789/3789-
dc.description.abstractThis research adopts a cross-cultural integration of contemporary landscape painting, with a particular focus on Huizhou landscape painting, as its central theme. It explores the innovative development of traditional Chinese landscape painting and contemporary art. The present study combines theoretical research with creative practice, exploring cross-cultural integration methods in Chinese and Western art. The aim is to promote the innovation of the form and content of landscape painting and to explore its new possibilities in contemporary art. The present study adopts a combination of historical analysis, comparative research and experimental analysis, and uses the scenery of Huangshan in Huizhou, China as creative inspiration to verify the practical effect of cross-cultural integration, which has important academic value and practical significance. The research results demonstrate that: the development history of traditional and contemporary Chinese landscape painting demonstrates that innovation in artistic form is an inevitable trend in its evolution; cross-cultural integration effectively enhances the expressiveness and emotional expression of landscape painting; experimental analysis confirms the complementary coordination of Chinese and Western art traditions in form and artistic conception; and finally, that creative practice based on the scenery of Huangshan Mountain in Huizhou shows a new art form that integrates the characteristics of Chinese and Western art, injecting a modern atmosphere into landscape painting.These research results emphasise the key role of cross-cultural integration in promoting the modernisation of contemporary landscape painting, and provide rich inspiration and reference for the art field. This research can promote cross-cultural exchanges between Chinese and Western art, and encourage two-way innovation in artistic form and content; inspire creative inspiration with the help of natural landscapes, and strengthen the connection between art and nature; encourage a research model that combines experimentation and practice, and provide a feasible path for the modernisation of traditional art.en
dc.description.abstract-th
dc.language.isoen
dc.publisherMahasarakham University
dc.rightsMahasarakham University
dc.subjectontemporary landscape paintinen
dc.subjectcross-cultural integrationen
dc.subjecttraditional Chinese landscape paintingen
dc.subjectHuizhouen
dc.subjectHuangshanen
dc.subject.classificationArts and Humanitiesen
dc.subject.classificationAgriculture,forestry and fishingen
dc.titleContemporary Landscape Painting: Cross-Cultural Integration for the Creation of Landscape Painting in Huizhou Chinaen
dc.titleContemporary Landscape Painting: Cross-Cultural Integration for the Creation of Landscape Painting in Huizhou Chinath
dc.typeThesisen
dc.typeวิทยานิพนธ์th
dc.contributor.coadvisorArkom Sa-Ngiamviboonen
dc.contributor.coadvisorอาคม เสงี่ยมวิบูลth
dc.contributor.emailadvisorarkomsang@gmail.com
dc.contributor.emailcoadvisorarkomsang@gmail.com
dc.description.degreenameDoctor of Philosophy (Ph.D.)en
dc.description.degreenameปรัชญาดุษฎีบัณฑิต (ปร.ด.)th
dc.description.degreelevelDoctoral Degreeen
dc.description.degreelevelปริญญาเอกth
dc.description.degreedisciplineสำนักงานเลขาen
dc.description.degreedisciplineสำนักงานเลขาth
Appears in Collections:Faculty of Fine - Applied Arts and Cultural Science

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