Suona Music of the Han Nationality in Tongsi Town, Sichuan Province, China

Abstract

This research focuses on Suona Music of the Han Nationality in Tongsi Town, Sichuan Province, China. The objectives of this research were to: 1) Investigate the current status of Suona music in Tongsi Town, Sichuan Province, China; 2) Analyze the musical characteristics of repertoires selected of Suona music in Tongsi Town, Sichuan Province, China; 3) Propose guidelines for the preservation of Suona music in Tongsi Town, Sichuan Province, China. This research was using qualitative research methodology. Data collection and research were conducted using interview, observation, and questionnaire forms as the research tools, which included seven key informants. The research findings are as follows:

1. Current status: The material craftsmanship and use of Suona instruments in Tongsi Town reflects the uniqueness of local folk art, but handcrafted techniques have been supplanted by modern mechanization. The traditional music repertoires are categorized into wedding, funeral, and general pieces, characterized by de-stylization, improvisation, and flexibility. The number of musicians is limited, and although they hold important responsibilities, their income situation is not optimistic. Additionally, Suona music faces challenges, including changes in social functions and a weakening cultural identity.

2. Musical characteristics: Rooted in the Han cultural background, the music primarily uses Chinese folk modal scales, featuring a clear and organized structure. The melodies are varied, tonalities are rich and diverse, and emotional expression is direct, vivid, and distinct.

3. Preservation guidelines: Suona music in Tongsi Town is a vital aspect of the local culture. Supported by government policies, school education, and community efforts, this musical tradition has been preserved and passed down.

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