| Issue Date | Title | Author(s) |
| 23 | Ancient Houses of Hoi An, Vietnam : Place of the Past and Nostalgic Business in the Context of World Cultural Heritage City | Van Nguyenthibich; Van Nguyen thi bich; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; supachai.si@msu.ac.th; supachai.si@msu.ac.th |
| 27 | Bouyei Textile at Guizhou, China : Cultural Identity, Commoditization and Modernity in the Process of Minority Development of China | Ruoyue Kong; Ruoyue Kong; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University. Faculty of Fine - Applied Arts and Cultural Science |
| 16 | Cheng Ren Li Ritual at Hualan Yao Village in Guangxi Zhuang Autonomous Region: Symbolic Interaction and Ethnicity in the context of China's Poverty Alleviation | Zongjing Du; Zongjing Du; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; supachai.si@msu.ac.th; supachai.si@msu.ac.th |
| 26 | Chinese Traditional Painting : Re-Invention of Tradition in the Context of China’s Economic Reform | Yingfeng Li; Yingfeng Li; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University. Faculty of Fine - Applied Arts and Cultural Science |
| 6 | Decorative Sculptors of Buddhist Place in Isan | Supojana Suwannapaxdee; สุพจน์ สุวรรณภักดี; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University. The Faculty of Fine and Applied Arts |
| 7 | Dong Embroidery at Sanjiang, China : Ethnic Identity and Cultural Heritage Management in the Process of Minority Development in China | Linqun Zhu; Linqun Zhu; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; supachai.si@msu.ac.th; supachai.si@msu.ac.th |
| 20 | Dramatic Art : The Identity of Phuthai Renunakorn Ethnic in The Cultural Society of Thai State | Naruebodin Saleepun; นฤทร์บดินทร์ สาลีพันธ์; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University. Faculty of Fine - Applied Arts and Cultural Science |
| 23 | Engko, Lorgow, Lion, and Dragon : Performing Arts in the process of Ethnicityand Social networks of Chinese people in Udonthani Province | Chiraphan Ieamkaew; จิราพรรณ เอี่ยมแก้ว; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University. Faculty of Fine - Applied Arts and Cultural Science |
| 13 | Historical Artifacts, Photographs and Ancient City: Representative, Construction of Theater of the Past and Business of Nostalgia in Kaifeng City, China | Hao Zheng; Hao Zheng; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University. Faculty of Fine - Applied Arts and Cultural Science |
| 7 | Indigo Culture of Minorities in Guangxi Region, China : Local Wisdom, Ethnicity and Trajectory of Self Representation in the Context of Modernity | Wenli Hu; Wenli Hu; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; supachai.si@msu.ac.th; supachai.si@msu.ac.th |
| 8 | Kung Fu Mural Painting at Shaolin Temple, Henan : Chinese Traditional Fighting Culture in the Context of Pre - modern Nation State | Xiaotao Guo; Xiaotao Guo; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University. Faculty of Fine - Applied Arts and Cultural Science |
| 4 | Li Jiang Painting : The Social life of Artifact and Cultural Ecology of Lijiang River Place, China | Yuxuan Xie; Yuxuan Xie; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University. Faculty of Fine - Applied Arts and Cultural Science |
| 22 | Lijiang Painting School : Self Construction and Negotiating Identity of the Artist Group in Guangxi Province, China | Chongwei Chen; Chongwei Chen; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University. Faculty of Fine - Applied Arts and Cultural Science |
| 28 | Moutai of Guizhou Province, China : The Social Life of Local Rice Whiskey and Commoditization in the Context of Drinking Culture | Liyuan Chen; Liyuan Chen; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University. Faculty of Fine - Applied Arts and Cultural Science |
| 29 | Nang Talad : Gender in the character of Lakorn- nok and process of becoming a national Artist in dance | Nantawan Sungkhavorn; นันทวัน สังขะวร; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University. The Faculty of Fine and Applied Arts |
| 3 | Patuxay, Vientiane Capital : Signifier and Signify in the process of Lao’s Historical and Socio – Cultural Development | Chansamone Keomoungkhoune; Chansamone Keomoungkhoune; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University. Faculty of Fine - Applied Arts and Cultural Science |
| 5 | Thangka,Traditional Tibetan Painting : Cultural and Negotiating Identities of Minority and Nationality in Context of China Nation State | Sun Jia; Sun Jia; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University. Faculty of Fine - Applied Arts and Cultural Science |
| 8 | Traditional Lantern of Hoi An, Vietnam: Cultural Identity and Invention of Tradition in the Context of World Cultural Heritage City. | Thi thanh thao Nguyen; Thi thanh thao Nguyen; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; supachai.si@msu.ac.th; supachai.si@msu.ac.th |
| 16 | Wedding Dress of Tuyao at Hezhou: Bodily Practice and Rite of Passage of a Minority in China | Dan Wang; Dan Wang; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; Mahasarakham University; Supachai Singyabuth; ศุภชัย สิงห์ยะบุศย์; supachai.si@msu.ac.th; supachai.si@msu.ac.th |
